City of London
3rd October, Year of Our Lord 1583
Back in my own room, my shirt laced, I grow increasingly troubled by the thought of that letter from Henry Howard, which Courcelles and Marie are reading even now. He will not have told them anything like the truth, but if I were to second guess him, I would expect him to have concocted some story about having discovered my betrayal of them all, some reason why they should keep me within their sight until he finds another chance to remove the threat that he fears I pose for him.
I would give almost anything at this moment for the chance to see Sidney, to have him make light of my predicament by punching me in my painful shoulder, then draw his sword in my defence. But Sidney is miles away in Barn Elms, and with Howard’s men on the lookout for me, I would not wager much on my chances of reaching Walsingham’s house in one piece. Wind buffets the window frames, making them rattle like teeth, and through the panes I can see only churning grey clouds. At this moment my heart feels constricted and I cannot escape the thought that England has been a mistake. I thought it would bring me freedom from persecution, but since I landed on this friendless island it seems I have done nothing but put myself on the wrong side of Catholics who want to kill me. I could have stayed in Naples for that, I think, gloomily, though I know the fault is my own; no one forced me to accept Walsingham’s offer of a place in his network of informers. I chose it because I found him to be a man I respected, and because, as I had told Fowler, I believed that the freedoms Queen Elizabeth had established here were worth defending against the tyranny of Rome. And — let me not fool myself — because I knew that to serve Elizabeth and her Principal Secretary in this way was likely to bring me reward and patronage of a kind no writer can advance without. Now, as I pace the confines of my room, I fear my life will be in danger if I leave the embassy or if I stay here.
But I am not altogether friendless in London; in the absence of Sidney, there is one person a little nearer with whom I can share a confidence. If I can get as far as St Andrew’s Hill and reach Fowler without being attacked, I could at least stick close to him; I would be less vulnerable in company. I picture again poor Dumas grabbed as he passes the mouth of an alleyway down at the wharf, the cord pulled tight around his throat before he can draw breath to scream, his frantic struggle for life unseen even as his limbs give their last few spasms and fall to stillness, before his body is dumped like a sack of refuse in the river. If I can avoid that fate for long enough to find Fowler, I can solicit his opinion on my unfinished theory, formed in my restless half-sleep this morning: that Marie, prompted by the Duke of Guise, was behind the plot to poison Elizabeth on Accession Day. She paid Dumas to steal the ring, while Courcelles, with his winning face, was drafted in to seduce Cecily and provide her with the means to kill; for whatever reason, Cecily lost her nerve and had to be silenced. Perhaps the graphic display pointing to a Catholic threat was meant to turn the court’s attention to the known English Catholic sympathisers in its ranks. Either way, the one element missing from this equation is who actually carried out the murders. I don’t doubt that Marie could be ruthless enough to take a life, but she would lack the physical strength; besides, she would regard butchery as servants’ work. Courcelles has always struck me as the sort of man who would pass out if he cut his finger on his dinner knife, but perhaps he is a better performer than I have given him credit for. Even if that were true, both Marie and Courcelles were standing beside me at the concert when Abigail Morley was murdered, so who was their accomplice, their third man?
I snatch up my doublet in a moment of decisiveness; I will not stay here pacing this room waiting for Howard’s thugs to come and find me. I pull on a cloak over my doublet and then remember that I have left my leather riding boots at Arundel House; I will have to wear the shoes I keep for finer weather, though the recent rain will have left the streets in a mire. Before I leave, I prise up the loose floorboard beneath my bed where I keep the chest with the money I receive from Walsingham. It is not a fortune — not compared with the risks I run for him — but it does at least allow me a standard of living in London that King Henri’s sporadic stipend would not provide. I will need to have new boots made — no one can survive a London winter without them, I have been told. Perhaps I can persuade Fowler to accompany me. In any case, I will retrieve my dagger from Castelnau’s study on my way out and take my chances in the city streets; that at least is better than cowering in my room with endless theories multiplying in my head and no solid evidence to prove or disprove them.
Only the ambassador’s butler sees me slip out through the front door, my cloak pulled up around my head. He can tell Marie and Courcelles that I have left if he pleases; I have decided that if I keep to the main thoroughfares and stay among crowds there is less chance of meeting the same end as Dumas. On the other hand, it is easier to stick a knife in a man’s ribs and disappear in a crowd. I keep the bone-handled knife at my belt, one hand on its hilt, my eyes raking the street to either side.
At the Fleet Bridge, I hear footsteps at my back and whip around so fast that my pursuer will not have time either to hide or to pounce, but the only person I see is a skinny boy who freezes, gaping at me nervously. His eyes flicker to the hand beneath my cloak, and I recognise him as the kitchen boy Jem from Whitehall Palace, the one who had brought the fateful message to Abigail Morley that lured her to her death. I let go of the dagger and step towards him, trying to make my expression less forbidding. He draws a paper out from his jerkin.
‘Jem? How long have you been following me?’
‘From Salisbury Court, please you, sir. She told me to wait outside and catch you whenever you came out. She said I was not to be seen.’
‘Who did?’
‘I am to give you this, sir,’ he says, holding out the paper.
I glance at the seal, but it means nothing. Quickly I tear the paper open and find, to my surprise, a summons from Lady Seaton, the queen’s Lady of the Bedchamber. She is visiting friends at Crosby Hall in Bishopsgate Street and has something to impart to me; I am to find her there by knocking at the trade entrance and asking for her manservant. In any other circumstances, the imperious tone of this note would tempt me to ball it in my fist and throw it aside, but I suspected when I spoke to Lady Seaton that night at Richmond Palace, after the murder of Cecily Ashe, that she knew more than she was willing to say. Why she has suddenly decided to speak to me now, I do not know; neither do I discount the possibility that it might be a trap. The boy hovers uncertainly, unsure as to whether his duty is dispatched.
‘Thank you, Jem. When were you sent with this?’
‘Only this morning, sir. After breakfast.’
‘I wonder you have the stomach to carry any more messages.’
He looks at me with a pained expression.
‘I must eat, sir.’
‘Yes, of course.’
I squint up at the sky; in this thin light it is impossible to guess at the position of the sun, but the hour must be already past three. She will be awaiting me now, if the note is really from her. I wonder briefly about giving the boy a shilling to accompany me through the city but decide against it; anyone who wants to attack me would not think twice about getting the boy out of the way, and I cannot risk any further violence to anyone on my account. I reach into the purse inside my doublet and find a groat; he pockets it gratefully and runs back westwards along Fleet Street, slipping easily among the people and carts. I scan the street uneasily after he has dis appeared, but the Londoners walking towards the Lud Gate press on, heads down, wrapped in cloaks against the wind, passing me by without remark. No one is watching, yet I feel the city’s eyes on me, from doorways and side streets and blank windows, as exposed as surely as if I were walking through the streets naked.
With Lady Seaton’s letter in my hand, I turn and continue towards the gatehouse ahead, its turrets jutting above the high city wall, but my nerves are wound as tight as Dumas’s were on our last journey together; I start like a hare at the slightest movement at the edge of sight. I cast my mind back to the night of the concert at Whitehall, to the hushed conference in Burghley’s room when the boy Jem told his story. He did not seem to me bright enough to be anything other than honest, but there is an outside chance that he knowingly delivered a false message to Abigail to trap her, and that he might now have been used by the same person to draw me. The man in the hat — who was he? Marie and Courcelles’s unknown third man? But if Jem was lying, the man in the hat may not even exist; he might have been given his errand by someone he knew from the court and would not name.
My thoughts preoccupied in this way, I pass under the Lud Gate, squeezing my way through a flock of sorry-looking sheep and trying not to glance up at the rotten hunk of human meat spiked over the central arch, a reminder to the citizens of the price of treason. Instead of heading down to St Andrew’s Hill, I make my way along Cheapside, the wide stone-paved thoroughfare that bisects the City east to west. Here I grow certain that I am being followed, though each time I turn I fear I am just too slow to catch him, and I have seen nothing to give flesh to my fears, except glimpses of a cloak whisked into a doorway which might have been imagined. It is more that I sense him, his movements shadowing mine, his eyes on my back as I walk. Between the ornate fronts of the goldsmiths’ workshops, their colourful signs creaking and swaying like banners overhead, the alleyways offer ample opportunity to hide, but if I keep to the centre of the road, avoiding those on horseback and the pedlars’ carts, I hope to give myself time and space to react if anyone draws too close.